R&D · September 27, 2026 · 4 min read

One hundred olives and a knife: what a camera can measure about ripeness

From manual grading to real photographs: what our camera learns, where it fails and why flesh colour still needs an independent reference.

One hundred olives and a knife: what a camera can measure about ripeness

A trailer does not carry a single stage of ripeness. It carries a mixture: green, turning and black olives, from different parts of the tree and sometimes different plots. One number can help describe that mixture, while hiding differences that matter when making oil.

Our question is specific: can a camera help describe this distribution at reception? Olearia’s project is at TRL 3, proof of concept. We have worked with synthetic scenes and real public photographs. We have no mill pilot and no validated measurement of the full maturity index on a conveyor.

There is a reason for the knife

The traditional maturity index grades a sample of one hundred olives into eight categories, from 0 to 7, then calculates their weighted mean. Early categories distinguish exterior colour. For black-skinned olives, later categories distinguish how far pigmentation has spread through the flesh: observing that requires cutting the fruit.

An RGB camera sees the skin; it does not directly observe the flesh. Combining black olives into one exterior class cannot resolve categories 4–7. Our proposed workflow therefore combines skin observations with separate control cuts. The evaluation reference must come from another sample: using its cuts as both input and the correct answer would give a misleading accuracy estimate.

Nor is the index a universal harvest recipe. Cultivar, water, weather and extraction conditions change the relationship between colour, oil and phenolic compounds. Ripeness measurements support a decision; they do not determine the best harvest date by themselves.

The rest is for key holders

The background is open. We share the results, the figures and the full exam with the cooperatives, olive mills and research teams we work with.

Don't have a key? Ask us for one

#Maturity index#Olives#Olive mill#Reception#Computer vision#Harvest#R&D#Spectroscopy

Viento del pueblo · 1937

Aceituneros

Miguel Hernández

Andaluces de Jaén,
aceituneros altivos,
decidme en el alma: ¿quién,
quién levantó los olivos?

No los levantó la nada,
ni el dinero, ni el señor,
sino la tierra callada,
el trabajo y el sudor.

Unidos al agua pura
y a los planetas unidos,
los tres dieron la hermosura
de los troncos retorcidos.

Levántate, olivo cano,
dijeron al pie del viento.
Y el olivo alzó una mano
poderosa de cimiento.

Andaluces de Jaén,
aceituneros altivos,
decidme en el alma, ¿quién
amamantó los olivos?

Vuestra sangre, vuestra vida,
no la del explotador
que se enriqueció en la herida
generosa de sudor.

No la del terrateniente
que os sepultó en la pobreza,
que os pisoteó la frente,
que os redujo la cabeza.

Árboles que vuestro afán
consagró al centro del día
eran principio de un pan
que sólo el otro comía.

¡Cuántos siglos de aceituna,
los pies y las manos presos,
sol a sol y luna a luna,
pesan sobre vuestros huesos!

Andaluces de Jaén,
aceituneros altivos,
pregunta mi alma: ¿de quién,
de quién son estos olivos?

Jaén, levántate brava
sobre tus piedras lunares,
no vayas a ser esclava
con todos tus olivares.

Dentro de la claridad
del aceite y sus aromas,
indican tu libertad
la libertad de las lomas.

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